![]() You Have to Burn The Rope is a cross between Dr. Since neither Indykirby or The Grinning Colossus can die if you don't burn the rope, you could have potentially fought him off indefinitely.It's more of a Urban Legend of Zelda than a Wild Mass Guessing at this point, but I'm working on it. Or at least, he's found some way of fighting off Death You don't really have to burn the rope. He wanted a single adventure without a car chase, tunnel boulder, or Phlebotinum Breakdown. The entire game was a dream of Indiana Jones. There was only one permanent solution: He had to burn the rope. The hero was Genre Savvy enough to realize that Sealed Evil in a Can almost always escapes eventually. ![]() Why would you be a hero for killing something that was sealed away or not even evil in the first place? You go into the home of the Grinning Colossus for the sole purpose of destroying it, and there isn't necessarily any way for the colossus to actually leave its home and cause havoc. The ending credits song is a hallucination of the psychotic and evil player character. Even the "burning of the rope" makes the rope look fake! The rope burns from the top down no matter where you place the fire, almost like a prerecorded holographic playback, with the chandelier really dropping from a hook on the wall! You don't get your only useful item until partway through the game, and the last stage involves application of fire, and not getting burned. You have to listen to all of the things you are told, by a voice that comes from the walls. You Have to Burn The Rope is a jab at overly difficult puzzle bosses. This theory is made of win! I heartlily salute the troper who proposed it.Most forms of sexuality are symbolized as bad (straight with the main character and the rope, gay with the rope/chandelier and the Grinning Colossus, lesbian with the main character and the symbolic tunnel/room shape, the rope and chandelier look exactly like a really oddly-shaped woman with dozens of limbs that dies while in a bondage situation, and polygamy, as represented by the relation of all the previously mentioned factors), and the very shape of the final dungeon and the long corridor leading to it seems to say "if you go down this path, bad things will happen." The eye-beams are a metaphor for the risk of pregnancy, the collision damage symbolizes how consentual sex has the same potential consequences as rape, and the final battle is reminiscent of conception (a sperm traveling into the womb and attacking an egg) and abortion/contraception (a little pink pill-shaped being goes into same womb and attacks the life inside). You defeat it by using the pink thing to transfer fire, a metaphor for STDs, to the thinner (and possibly shorter) pale-colored rope, which drops an entire chandelier of fire and wax onto the Grinning Colossus, destroying it. The Grinning Colossus, as the final boss, is a huge black phallic symbol. You Have to Burn The Rope is a treatise against sexuality, or at least polygamy. There's just a 25% chance of finding one, you see. Unless you make that Hanako/Delia was a male. Um, Jigglypuff from the anime is a girl.The axes double as microphones, as his other son's microphone doubles as a permanent marker. Kirby must have gotten the eyes from his mother.Īnd a Jiglypuff with a hat. Indykirby will be in the final Indiana Jones movie. The "director" can't risk losing you, so they make it impossible to lose, but they gave you the task of burning the rope as a main story arc of the show. You are an invincible being completing a ridiculously easy task against an enemy that will not damage you at all. As this is a WMG page, blatant spoilers will be unmarked, so proceed with caution. ![]()
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